Ten episodes for children aged 6 to 8, hosted by Mig, a five-year-old boy who follows a single trail with ten stops, one lighting up in every episode, tracing money from a time before it existed all the way around to where it started. It opens at a real market with the actual problem of trading thing for thing: swapping only works when two people want, at the very same moment, exactly what the other one has, which is why people settled on the little cowrie shell, used as real money across Africa and Asia for centuries. Then the first metal coins, struck from a gold-and-silver mix in ancient Lydia, and paper money born in China long before it reached Europe, both worth something only because everyone agreed to accept them, like a voucher passed from hand to hand. Then the baker, the farmer, the bus driver, the teacher and the caregiver, each doing very different work and each paid because they made something another person needed, closing with the honest note that if a child's own house gives a little now and then, that also came from someone's work. Then a price cracked open like a box, showing the stacked layers of everyone who planted, carried and sold a piece of fruit, and how scarcity moves a price up or down. Then the checkout counter itself, the receipt that proves a purchase, and the plain subtraction behind change. Then the money left at the register, followed out to the truck driver and the farm workers who never meet the customer but are paid all the same. Then the Mint, the only place allowed to make real coins and bills, its watermark, security thread and raised texture, and the honest answer to the question every child asks: printing mountains of extra bills does not make anyone richer, it only makes prices climb. Then the bank, which keeps safe what does not fit in a pocket, lets a card or a phone move money with no paper at all, and lends out savings, always paying a little more to whoever trusted it and asking a little more back from whoever borrowed. Then a piggy bank filling one coin at a time, showing that saving means affording more later, and that choosing one thing always means leaving another behind. It closes by tracing the whole loop back to a family's hug, an afternoon of play, and someone's company, the good things no coin can ever buy, plus the idea that having a little extra to share makes the loop turn in a kinder way. The course names no brand and no real shop; it never puts a real currency amount in a child's mouth, counting only 'little coins'; it never ties how much a family has to how hard anyone worked or to anyone's worth as a person; an allowance, when it appears at all, is always framed as something a house might choose to give, never as a right every child has; and interest is always shown from both sides, the little bit a saver earns and the little bit a borrower pays back.